New cases
1. Personal Stories: Sharing personal stories from community members can be a powerful way to highlight the value of your community. These stories can showcase how individuals have benefited from being a part of the community, whether it’s through personal growth, professional development, or emotional support qwstnevrythg.com. For example, Jane, a long-time member of our community, shared how she found a supportive network of like-minded individuals who helped her overcome challenges and achieve her goals.
How can your members share the impact the community has had on them? Encourage them to share their story on social media, or create a submission form that you then turn into member case studies!Gathering value creation stories is the art of community building. It requires time, personal connections, relationships and the space for members to share the value they are both creating and getting from the community.
Commonly referred to in the Industry as User-Generated Content (UGC). In addition to assessing non-metric based value and key metrics, assessing the quality of user-generated content is critical in understanding the value being created in the community. Shining a spotlight on member created content is critical to members feeling valued and rewarded.
The best weapon skins of the season
Apex Legends Season 24 is in full swing. We’ve had a big overhaul thanks to a mid-season patch, following the sweeping changes to the weapon meta at the start of the season. Every single weapon was buffed, resulting in a re-shift of the entire weapon scene and as a result our Apex weapon tier list too.
The Noble Cause is a legendary Peacekeeper skin that was first introduced during Season 2’s Iron Crown Event. Although it has a bulkier-looking iron sight, many players prefer it more than the slimmer ones.
The trusty R-301. Its true strength is with how easy to use and consistent this weapon is. Sure, lots of other AR’s are better but they are all harder to use. This weapon is great for beginner players or those who simply just want to not have to focus too much on specific mechanics or recoil control.
Every Apex Legends player will remember when Akimbo Mozambique’s were at the top of the Apex weapon tier list. There was a lot of delight when they were nerfed after dominating the game. Now, they sit as a pretty average option compared to the Mastiff and EVA-8.
Changes to SMG’s have made the Volt a better weapon, especially with Energy Ammo being more popular than it used to be. This makes finding ammo later on in the gamer a lot easier then a few seasons ago. Of all the SMG’s, the Volt is also the best at a medium distance. It’s not as good as it used to be when it could take a Barrel Stabiliser, but it still stands up as a decent option in a pinch. This makes it more flexible than its competitors in the SMG category.
The Havoc is a really powerful weapon and still sits in the S Tier of our Apex weapon tier list thanks to being a super strong Care Package weapon. It has really strong DPS, great close range hip-fire and a good magazine size. It even has the beam shot for those longer range engagements.
Digital finds for connoisseurs
Beyond transactions, digital platforms enhance the very experience of appreciating art. Virtual exhibitions and immersive experiences, such as those on the Google Arts & Culture platform, transport collectors into curated digital spaces, enriching their journey through the artwork. The implementation of technologies such as VR, AR, and digital exhibitions allows global audiences to “walk through” renowned museums.
Four different imaging modalities of the Malle Babbe (1632–1635, Staatliche Museen zu Berlin, Gemäldegalerie) are viewed simultaneously with the ‘curtain mode’ of the Curtain Viewer. Clockwise from top left: visible light photography, x-radiography, infrared reflectography, Cu-K MA-XRF map
A digital image reduces the relief of the three-dimensional surface of an oil painting to a plane, which is then divided into pixels using an algorithm. These pixels are then compared to the pixels of other digital images. Artificial intelligence compares pixels, not works of art. Anyone who enters the world of pixels, the internet, can easily see how much the color values of digital reproductions of famous works of art differ. Often the deviations are so great that the coloristic quality of the original painting cannot be recognized in a digital image. Such color differences become a potential source of error for the algorithm. The next problem is the resolution of the images and the relationship between the pixels of the digital image and the real painting. When using images with an average dpi of 300, for example, the specification “dots per inch” refers to the digital image and not to the painting itself.6 Thereby, the pixels of the digital image have no objective relation to the analogue original. The image of a 30 × 20 cm oil sketch has the same 300 dpi as the image of the Last Judgment from the Munich Pinakothek, which measures 608.5 × 463.5 cm. No question: the comparison is distorting, because while in the first case a pixel has a real relation to the original, the 30 pixels per square centimeter in the best available image of the Last Judgement mean an extremely low resolution. If you were to draw the digital image to approximately its original size, the pixels would appear in the format of bathroom tiles. It goes without question that such a comparison is not useful. If one wants to compare digital images of the same quality with a realistic reference to the object reproduced by them, one accepts deficient images. Or one must work with images that are anything but “high quality“. Alternatively, this problem can be ignored and we compare what should not be compared. Both end in a dilemma and lead to an unreliable result.
Crurated Founder and CEO Alfonso de Gaetano shared that the name was inspired by merging the esteemed “Cru” appellation for superior wine and “Curation,” carefully selecting and organizing content to create an enjoyable experience for others.
As an outstanding art historian and curator, Max J. Friedländer (1867–1958) also gained a reputation as connoisseur. In 1942, he summarized his knowledge and experience in a booklet that was later translated into other languages. „On Art and Connoisseurship“ („Von Kunst und Kennerschaft“) is still a timeless guide for all those working in this field. The most important method which is applied here is comparison. It is about comparing a work of fine art with other works and relating it to works whose attribution is as secure as possible. This is what connoisseurs did many hundreds of years ago when the term was beginning to become established. The process of comparison on which every connoisseurship is based is naturally prone to error, because any comparison can only be as good as the comparative material used, the selection of which is inevitably subjective. Attitudes towards connoisseurship tend therefore to be critical and the method defamed as “ahistorical, unscientific, even pre-scientific, subjective, unsuitable for theory, not self-critical enough, not satisfying the rules it has set itself and ultimately only serving the interests of dealers and collectors”.1